Sebastian Lexer (2011) Betrachtungen zum Instrument im Bezug zur Freien Improvisation in Aspekte der Freien Improvisation pp. 107-110, Dieter A. Nanz (ed), Wolke Verlag, ISBN 978-3-936000-88-7
Sebastian Lexer (2010) Piano+: An Approach towards a Performance System Used within Free Improvisation Leonardo Music Journal, Vol 20 pp. 41-46.
Alice Eldridge, Ollie Bown, Sebastian Lexer (2006) Behavioural Objects for Interactive and Generative Music presented at the Improvisation and Computers IRCAM workshop, in conjunction with the NIME 06 conference.
O. Bown, S. Lexer. (2006) Continuous-Time Recurrent Neural Networks for Generative and Interactive Musical Performance presented at the evoMUSART 2006, Budapest.
M. Young, S. Lexer. (2003) FFT Analysis as a CreativeTool in Live Performance presented at the DAFx-03, Queen Mary University, London.
An interview appeared in The Wire (March 2010)
furthermore there is a small selection of recordings and statement on their web-exclusive part.
An article by Stuart Broomer in Point of Departure on new piano releases discusses the CDs 'dazwischen' and 'lost daylight'.
discographyfeaturing performances by Sebastian Lexer
9!: none (-t)
MRCD54, matchless recordings, 2003
John Tilbury plays Samuel Beckett
John Tilbury, Christina Jones, Eddie Prévost, Sebastian Lexer
MRCD62, matchless recordings, 2005
A short duo of Sebastian Lexer and Ian Stonehouse is released on the Sonic Art Network CD created by Ben Watson Frankfurter Ahnung.
Three demo tapes and a couple of CDs were produced by the rock band VARNISH, of which I had been founding member and keyboarder from 1987-1995.
There are literally no traces available online, except one very neutral entry, which can be found here.
Scratching the Surface (Gorgon Inline, 1994)
IF (self release, 1995)